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Maximilien Luce

Maximilien Luce (1858-1941) was a French Neo-Impressionist painter. Using the pointillist technique of small dots of colour, he painted luminous landscapes as well as unusually sympathetic scenes of labour and city life.

Scene de Rue a Paris by Maximilien Luce (1896)

Wall Art

Scene de Rue a Paris by Maximilien Luce (1896)

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by Maximilien Luce

Le Bon Samaritain by Maximilien Luce (1907)

Wall Art

Le Bon Samaritain by Maximilien Luce (1907)

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by Maximilien Luce

Notre Dame by Maximilien Luce (1900)

Wall Art

Notre Dame by Maximilien Luce (1900)

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by Maximilien Luce

Street Scene In Paris by Maximilien Luce (1896)

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Street Scene In Paris by Maximilien Luce (1896)

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by Maximilien Luce

Les Maçons by Maximilien Luce (1929)

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Les Maçons by Maximilien Luce (1929)

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by Maximilien Luce

Nu Se Coiffant by Maximilien Luce (Unknown)

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Nu Se Coiffant by Maximilien Luce (Unknown)

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by Maximilien Luce

Notre-dame De Paris by Maximilien Luce (Unknown)

Wall Art

Notre-dame De Paris by Maximilien Luce (Unknown)

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by Maximilien Luce

Notre Dame De Paris by Maximilien Luce (1900)

Wall Art

Notre Dame De Paris by Maximilien Luce (1900)

499

by Maximilien Luce

About Maximilien Luce

Maximilien Luce (1858-1941) was a French Neo-Impressionist painter. Using the pointillist technique of small dots of colour, he painted luminous landscapes as well as unusually sympathetic scenes of labour and city life.

The Maximilien Luce Collection at BestOfBharat

Our Maximilien Luce collection brings pointillist landscapes and scenes of working life into Indian homes as gallery-quality framed reproductions - printed on archival-grade material, hand-framed, and delivered ready to hang. Each piece is offered in multiple sizes and frame finishes to suit living rooms, bedrooms, studies and hallways.

Maximilien Luce in Your Space

Soft, light-filled colour makes these prints an easy fit for both contemporary and traditional interiors. A single large piece brings warmth above a sofa or bed, while a pair or trio builds a relaxed gallery wall.